One of the year’s most fun events was D23, the convention of all things Disney, and to commemorate the third anniversary of my For Scores podcast, we did a special “live” edition with Marvel composers Pinar Toprak (Captain Marvel), Tyler Bates (Guardians of the Galaxy) and Laura Karpman (Ms. Marvel) on stage at the Anaheim (Calif.) Convention Center. We talked about making music for Marvel movies and about the industry in general. If you’re unfamiliar with the podcast, please check it out at https://forscores.com/.

There is tremendous excitement among Marvel Comics fans about the upcoming Inhumans series on ABC, which has a a big orchestral score by Sean Callery (24, Jessica Jones). But, in fact, the Marvel TV universe encompasses a wide variety of musical sounds and styles, which I explore in
If you left Guardians of the Galaxy Vol. 2 unexpectedly moved by the finale, you can thank composer Tyler Bates, whose symphonic and choral work was perhaps his most accomplished yet in films. Bates, a former rock guitarist who still goes out on the road with Marilyn Manson from time to time, has not only built an entirely new career composing for films and television, he has built a very loyal clientele. As director David Leitch (the soon-in-theaters Atomic Blonde) told me for
Oscar-nominated, Grammy- and Emmy-winning composer Alan Silvestri received BMI’s Icon Award Wednesday night at the Beverly Wilshire Hotel. His was the top honor among dozens distributed by the performing-rights society. The evening was a who’s-who of composers, songwriters and music supervisors active in films and TV.