The success of Tadlow Music’s earlier album celebrating Jerry Goldsmith’s music for the TV series Thriller has prompted a sequel, and once again producer James Fitzpatrick turned to me for notes — another fun opportunity to provide musical and historical perspective to a major early credit in the composer’s filmography. This album (superbly reconstructed by orchestrator Leigh Phillips) includes another six scores from the 1960-62 series hosted by Boris Karloff, including one of my favorite scores (“God Grante That She Lye Stille”) and two that employ surprisingly modernist piano techniques for TV scores of that era (“Late Date,” “The Terror in Teakwood”).