This was another in our ongoing series (dubbed “Billion Dollar Composers,” a reference to how much money their movies have made). Interviewing Harry was a fascinating experience. He had a fabulous studio in Venice, Calif., at the time, and shared something of his work process while I bugged him about his life, his music and a few of his favorite scores. The main story is mostly about his creative side. The sidebars include one about his animated projects; an on-the-scene report about scoring The Wolverine at Fox; and a look at five career highlights.