As many of you know, I now host a podcast, For Scores, that gives me the chance to interview prominent composers and songwriters working on current films. This month we have two, and these are some of the nicest, most thoughtful and articulate people in the business: Bobby Lopez and Kristen Anderson-Lopez, the Oscar-winning songwriters (Frozen, Coco), and Christophe Beck, the Emmy-winning, Grammy-nominated composer (Frozen, Ant-Man). Frozen II was the subject for both, as the Lopezes talked about their long odyssey with Anna, Elsa and friends. And for Beck, we talked not only about scoring the Frozen films but also about his Marvel adventures (the fun scores for Ant-Man and Ant-Man & The Wasp). Here is the address to find them, which will then direct you to your favorite podcast source to listen.
Tag Archives: Robert Lopez
Oscar music roundup
Another awards season is finally in the books, with Sunday night’s Oscar telecast that saw Alexandre Desplat win for his Shape of Water score, and songwriters Robert Lopez and Kristen Anderson-Lopez for their song “Remember Me” from Coco. Variety kept me busy all weekend, writing the winner stories (score story here, including Desplat’s beating the statistical odds for a second time; song story here) and adding a Monday-morning story about Lopez becoming the first-ever double EGOT winner. A complete summary of Saturday and Sunday events — including the annual SCL Oscar reception, always a highlight of the weekend, is here.
Oscar weekend, music-wise
It was a whirlwind four days, beginning with the first-ever Oscar concert at Royce Hall, then a really fun Oscar music reception (sponsored by the Society of Composers & Lyricists) and finally the Academy Awards themselves on Sunday. A roundup, with lots of colorful photos, is here.
The music of “Frozen”
I walked into a scoring session for Frozen, not really knowing what to expect (except that I knew Chris Beck’s score would be great, and it was). What I found was a surprising group of musicians, songwriters, Disney animators and executives who hoped that, somehow, this long-in-gestation version of “The Snow Queen” would somehow resonate with moviegoers. (Boy, did it.) We were proud to introduce the musical ideas first, in the pages of Variety.