Composer Kurt Farquhar has worked steadily in television for almost 30 years. His credits range from Sister, Sister and Moesha to South Central and The King of Queens. He led the way for hip-hop in TV scoring and now, with what he calls a “neo-urban” style for Black Lightning, has mashed up every imaginable approach for the the CW super-hero show. It was a distinct honor to moderate a Society of Composers & Lyricists Q&A with the composer, his music editor Joshua Winget, and theme composer GodHolly, at the Academy’s Linwood Dunn theater.