I’ve begun a second season of introducing films scored by the late Elmer Bernstein at the magnificently restored Granada Theatre in Santa Barbara, Calif. We began last night with a screening of National Lampoon’s Animal House (1978), which ushered in a decade of comedy scores by the Oscar-winning composer. Members of the Bernstein family attended, and the gales of laughter in the theater were demonstrable proof that the movie is still wildly funny 38 years later. Coming up in the 2016-17 season are seven more classics: The Man With the Golden Arm (1955) on Sept. 26, Summer and Smoke (1961) on Dec. 5, The Shootist (1976) on Jan. 9, Far From Heaven (2002) on March 13, The Ten Commandments (1956) on April 10, Birdman of Alcatraz (1962) on May 8, and Trading Places (1983) on June 19. Come join us if you’re in Southern California!
Tag Archives: Granada Theatre
Hosting the Elmer Bernstein series in Santa Barbara
Last night I wrapped up my first season as host of the Elmer Bernstein Memorial Film Series at the historic Granada Theatre in Santa Barbara, California. We screened The Age of Innocence, Martin Scorsese’s 1993 adaptation of the Edith Wharton novel that contains one of Bernstein’s richest and most memorable scores. The composer’s daughter, Emilie Bernstein, who orchestrated the music and was present at the recording sessions, joined me on stage for a lively Q&A on the scoring process. Granada management also announced next season’s lineup, eight more Bernstein classics including The Man With the Golden Arm, The Ten Commandments and National Lampoon’s Animal House. It’s a joy to introduce these great films from Bernstein’s 50-year career in the movies, and I hope those of you in the neighborhood will join us beginning in August (see dates on the poster).
Talking Elmer Bernstein with Paul Williams
Oscar-winning songwriter Paul Williams asked me to join him on stage for a screening of The Great Escape as part of The Elmer Bernstein Memorial Film Series at the stunning, restored Granada Theatre in Santa Barbara, Calif. It was great fun talking about the composer as well as director John Sturges’ 1963 POW film with its now classic theme (a smart-aleck march suggested by Steve McQueen’s character). After the film, we did an informal Q&A for an invited audience that included Elmer’s widow Eve and three of his children.