Tag Archives: Gloria Cheng


The subtitle of this wonderful new album by the brilliant concert pianist Gloria Cheng is “Great film composers and the piano.” A few years ago she was presented with a five-movement suite by Bruce Broughton; a four-movement piece by John Williams followed. Cheng then commissioned three more pieces (by Don Davis, Randy Newman and Michael Giacchino) and added a recent work by Alexandre Desplat. It’s a wide-ranging album in terms of mood, texture, color and complexity; I’ve played it several times and continue to find new facets and subtleties. Most of the liner notes are by the composers themselves, but I penned the introduction. Here is a piece that goes into more detail about it.