Last year, the Television Academy added a music supervision category to its many Emmy craft fields. Then, the newly admitted music supervisors could vote only in that category; this year, they can vote in all seven music categories, including four composition fields, which has many composer members up in arms. Considerable resentment is simmering in the music “peer group” over how the music-supervision issue has been handled, and I tackle this sensitive subject in a new story for Variety.