I have to watch a lot of media for my job, and very often there isn’t time to watch multiple hours of television before having to interview a composer about their work. But in the case of Andor, the latest addition to the Star Wars universe, I was hooked and did in fact watch all 12 hours of the compelling backstory of Cassian Andor (played by Diego Luna). I interviewed composer Nicholas Britell for two Variety pieces — one announcing his involvement, the other discussing his approach to this unusually novelistic saga — and finally interviewed both Britell and showrunner Tony Gilroy about their years-long collaboration on the project for an SCL event.
Some of today’s most compelling scores are on television, and for science-fiction and fantasy projects. This year’s crop was especially interesting, and I explored several of them in stories for Variety: Bear McCreary talked about his grand-scale music for The Lord of the Rings: The Rings of Power; Amie Doherty and Ramin Djawadi discussed their scores for She-Hulk and House of the Dragon, respectively; Laura Karpman regaled us with the complexity of recording Ms. Marvel; Natalie Holt and Hesham Nazih talked with us about Marvel’s Loki and Moon Knight; the composers of Severance, Foundation and The Book of Boba Fett chimed in on their special challenges; and Nami Melumad talked about the latest Star Trek series, Strange New Worlds. Nicholas Britell talked with us twice about Andor, first in announcing his involvement, long kept under wraps; and after the series debuted, although he was still reluctant to give away any secrets.