The Television Academy likes to spread the wealth, as seen in this year’s crop of nominations in Emmy’s five musical categories: music for series, music for longform TV (miniseries or movies), music direction, title themes, and original songs. Nearly half of all the nominees are first-timers to the party, and that’s always nice to see. (Fans of the music for ultra-popular shows like Game of Thrones, House of Cards, Downton Abbey and others were disappointed when those scores failed to receive a nod, although all have been past nominees or winners.) And the song category has special zing this year: Alan Menken could become an EGOT and Diane Warren has achieved something no previous songwriter has. Here’s a rundown and quick analysis. I’ll be visiting each of these scores later during Emmy season for Variety.