Jon Burlingame

This year’s big-screen epics demanded an aural equivalent: big orchestras and often big choirs. For the films Noah, Exodus: Gods and Kings and The Hobbit: The Battle of the Five Armies, the directors called on composers Clint Mansell, Alberto Iglesias and Howard Shore to supply appropriate music. For a story in this week’s Variety, I interviewed them and augmented their thoughts with historical perspective from author Stephen C. Meyer, whose new book Epic Sound examines the classic scores of the 1950s and ’60s.